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HOSSEIN VALAMANESH




 
ARTIST PROFILE

HOSSEIN VALAMANESH
Born 1949, Tehran, Iran

Hossein Valamanesh combines cultural elements from two countries: his native Iran and Australia. The result is sculptural and installation-based work relating to memory, cultural dislocation, loss, and the progression of time. The work, simultaneously strong and subtle, and occasionally playful, has gentle and poetic resonances.

Hossein Valamanesh graduated from the School of Fine Art Painting in Tehran in 1970. He immigrated to Australia in 1973, arriving in Perth and travelling to Central Australia for four months, where he worked with Aboriginal children. In 1975, he began further studies in visual arts at the South Australian School of Art and, since graduating, has exhibited frequently in Australia and overseas, including Germany, Poland and Japan.

Hossein has completed a number of major public art projects in Australia and Japan, most notably for the Tachikawa Project, an urban precinct in Tokyo featuring 110 works by 90 major sculptors. In 1999, he collaborated with Angela Valamanesh to create the Memorial to the Great Irish Famine, An Gorta Mor, at Hyde Park Barracks, Sydney. He was one of the international artists invited to participate in the 2003 Echigo-Tsumari Necklace project organised by Art Front Gallery in Tokyo. Hossein has received numerous awards, including a fellowship residency in Künstlerhaus Bethanien, Berlin (1991) and, more recently, an Australia Council Fellowship. An Art & Australia monograph on his work, written by Paul Carter, was published in 1996. Two years later he won the Grand Prize at the 1998 Dacca Biennale in Bangladesh.

In mid-2001, ‘Hossein Valamanesh: A Survey’ was held at the Art Gallery of South Australia; the accompanying catalogue contained essays by Sarah Thomas, Ian North and Paul Carter. In February 2002, ‘Tracing the Shadow: Hossein Valamanesh’ was held at the Museum of Contemporary Art, Sydney. Hossein’s work is included in most major public art collections in Australia. He lives and works in Adelaide.

BIOGRAPHY
1970 Graduated, School of Fine Art, Tehran
1973 Emigrated to Australia
1974 Travelled to Central Australia as Art Adviser with Aboriginal children
1977 Graduated, South Australian School of Art
Currently lives and works in Adelaide

SOLO EXHIBITIONS
2006 Hossein Valamanesh, Sherman Galleries, Sydney
2005 Hossein Valamanesh, Greenaway Art Gallery, Adelaide
2004 Hossein Valamanesh and Angela Valamanesh, Sherman Galleries, Sydney
2003 Natural Selection, Drill Hall Gallery, Australian National University, Canberra
Bett Gallery Hobart
2002 Travel Tales, Sherman Galleries Goodhope, Sydney
Tracing the Shadow: Hossein Valamanesh Recent Works, Museum of Contemporary Art, Sydney
Greenaway Art Gallery, Adelaide
2001 Hossein Valamanesh: A Survey, Art Gallery of South Australia, Adelaide
Hossein and Angela Valamanesh, Sherman Galleries Hargrave
2000 Greenaway Art Gallery, Adelaide
1999 internal travel, National College of Arts, Lahore, Pakistan
Hossein Valamanesh, Sherman Galleries Goodhope, Sydney
1998 Hossein Valamanesh, Greenaway Art Gallery, Adelaide
1997 Tracing the Shadow, Art Front and Hillside Galleries, Tokyo
1996 Hossein Valamanesh, Sherman Galleries Goodhope, Sydney 1995 Hossein Valamanesh, Greenaway Art Gallery, Adelaide
Viewers and Audiences, Wollongong City Art Gallery, NSW
1994 The Lover Circles His Own Heart, Greenaway Art Gallery, Adelaide
1993 The Lover Circles His Own Heart, Centre for Contemporary Art,
Greenaway Art Gallery, Adelaide
Macquarie Galleries, Sydney
Luba Bilu Gallery, Melbourne
1991 Kunstlerhaus Bethanien, Berlin
1990 Hossein Valamanesh 1980–1990, Contemporary Art Centre of
South Australia, Adelaide
Luba Bilu Gallery, Melbourne
Macquarie Galleries, Sydney
1988 Macquarie Galleries, Sydney
1987 Bonython Meadmore Gallery, Adelaide
1986 Gryphon Gallery, Melbourne
Walter Reid Art Centre, Rockhampton
1985 Macquarie Galleries, Sydney
1984 Macquarie Galleries, Sydney
1983 Bonython Gallery, Adelaide
1981 Bonython Gallery, Adelaide
Praxis Gallery, Perth
Execution Installation, Roundspace Gallery, Adelaide
1980 Festival Centre Gallery, Adelaide
1977 Experimental Art Foundation, Adelaide
1972 Shiraz University, Shiraz, Iran

GROUP EXHIBITIONS
2006 Found Out, Lake Macquarie Regional Gallery, Lake Macquarie, NSW
Strange Cargo: Contemporary Art as a State of Encounter, Newcastle Region Art Gallery, Newcastle, NSW
Prism: Contemporary Australian Art, Bridgestone Museum of Art, Tokyo
2006 Clemenger Contemporary Art Award, The Ian Potter Centre: NGV Australia, Melbourne
Photographic Portrait Prize, Art Gallery of New South Wales, Sydney (Highly Commended)
Adelaide Biennial of Australian Art 2006: 21st Century Modern, Art Gallery of South Australia, Adelaide
2005 MCA Collection: New Acquisitions in Context, Museum of Contemporary Art, Sydney
Mentor, Mentored, Contemporary Art Centre of South Australia, Adelaide
Text Me, Sherman Galleries, Sydney
2004 One Of: Festivus 04, Sherman Galleries, Sydney
Fire Dreaming, University Art Gallery, University of Sydney, Sydney
Skin, Salamanca Art Centre, Hobart
Hossein Valamanesh and Angela Valamanesh, Sherman Galleries, Sydney
2003 Festivus, Sherman Galleries, Sydney
2002 2002: The Year in Art, S.H. Ervin Gallery, Sydney
Shape of Air, Plimsoll Gallery, Hobart
Deeper Places, Casula Powerhouse Arts Centre, Sydney
BORDERPANIC, Performance Space, Sydney
Nelson + Valamanesh, Sherman Galleries Hargrave
Group Exhibition, Sherman Galleries Goodhope, Sydney
2001 the self, freespace Project Space, S.C.A.A., Wynyard
Hermanns Art Award, Sherman Galleries Hargrave, travelling to Tamworth City Gallery, NSW; Tweed River Regional Gallery, NSW; Hermanns Melbourne Stores, VIC; Bendigo Art Gallery, VIC; Mornington Peninsula Regional Gallery, VIC; Wollongong City Gallery, NSW; New England Regional Art Museum, Armidale, NSW; Lake Macquarie City Art Gallery, NSW; Hazelhurst Regional Art Gallery & Arts Centre, NSW; Bathurst Regional Art Gallery, NSW
A Century of Collecting 1901–2001, Ivan Dougherty Gallery, College of Fine Arts, University of New South Wales, Sydney
7th NICAF: International Contemporary Art Festival 2001 Tokyo, Tokyo International
Forum, Chiyoda-ku, Tokyo
Orbit, University of South Australia Art Museum, adelaide
2000 ARCO, Madrid, Spain
Echigo-Tsumari Triennale, Japan
Chemistry: Art in South Australia 1990–2000, Art Gallery of South Australia, Adelaide
Defiling the Object, Substation Gallery, Singapore
1999–2000 The Rose Crossing, Brisbane City Art Gallery, Brisbane; Hong Kong Arts Centre, Hong Kong, Singapore Art Museum, Singapore, Holmes à Court Gallery, Perth, S.H. Ervin Gallery, Sydney, Campbelltown City Bicentennial Art Gallery, Sydney
1999 1999 Hermanns Art Award, Melbourne
Volume and Form, Singapore
1998 Something, Sherman Galleries Goodhope, Sydney
Sixth Australian Contemporary Art Fair, Melbourne
1997–98 Other Stories: Five Australian Artists, Asialink exhibition, travelling to Bangladesh, Sri Lanka, Pakistan and Nepal
1997 Australian Perspecta: Between Art and Nature, Temple of Earth Memories, S.H. Ervin Gallery, Sydney
1996 Conrad Jupiters Art Prize, Gold Coast City Gallery, QLD
1995 Entrance, installation, Wollongong City Gallery, NSW
1994 Aussemblage!, Auckland City Art Gallery, New Zealand
1993 Various Small Fires, Experimental Art Foundation, Adelaide
Symbols and Metaphors, Union Gallery, Adelaide
Images of a First Language, Prospect Gallery, Adelaide
Fifth Sculpture Triennial, Melbourne
Inner Land, Gallery Soko, Tokyo
Identities: Art From Australia, Taipei Fine Arts Museum, Taiwan
1991 Gallery Gordon, Pym & Fils, Paris
1990 Heart of Gold, State Bank Building, Adelaide Festival of Arts
1989 The Quarries: An Archaeology, Mount Gambier, SA
Metro-Mania, Australia and Regions Art Exchange, Perth
1988 Monuments, Contemporary Art Centre, Adelaide Festival of Arts
1987 Painters & Sculptors, Queensland Art Gallery, Brisbane
Third Australian Sculpture Triennial, Heide Park and Art Gallery, Melbourne
Australian Contemporary Art, Museum of Modern Art, Siatama, Japan
Some Provincial Myths, Contemporary Art Centre, Adelaide
1986 Praxis in Practice, Praxis, Perth
Culture Drift, Adelaide Festival of Arts
Sculpture, Wollongong City Gallery, NSW
1985 Singular and Plural, South Australian School of Art Gallery, Adelaide
Common Earth, Alive and Unfired, University of Tasmania, Hobart
Australian Perspecta, Art Gallery of New South Wales, Sydney
1984 Twenty-Six Characters, Adelaide Festival of Arts
Small Wonders, Roundspace Members, Adelaide Festival of Arts
Australian Sculpture, Art Gallery of Western Australia, Perth
On-Site, Tasmanian School of Art Gallery, Hobart
1983 Macquarie Galleries, Sydney
Survey of Recent South Australian Sculpture, Art Gallery of South Australia, Adelaide
Anzart -In-Hobart, Tasmania
Australian Perspecta, Art Gallery of New South Wales, Sydney
1982 Roundspace Members, Festival Exhibition
1981 First Australian Sculpture Triennial, La Trobe University, Melbourne
Centenary Exhibition, Art Gallery of South Australia, Adelaide
Relics and Rituals, National Gallery of Victoria, Melbourne
Art Gallery of Western Australia, Perth
1979 April/May Show, Experimental Art Foundation, Adelaide
Four Young Artists, Contemporary Art Society, Adelaide
Installation, Roundspace Gallery, Adelaide
1978 Adelaide University Gallery, SA

AWARDS AND RESIDENCIES
2006 Artist in residence, Aomori, Japan
2005 Artist in residence, Sydney Grammar School, NSW
2000 Artist in residence, Faculty of Creative Arts, University of Wollongong, NSW
Artist in residence, School of Art, University of Canterbury, Christchurch, NZ
Asialink residency, National College of Arts, Lahore, Pakistan
1998 Grand Prize at the Dacca Biennale, Bangladesh
Australia Council Fellowship
1991 Visual Arts/Crafts Board Fellowship Residency, Kunstlerhaus, Bethanien, Berlin
1988 Town Artist, City of Noarlunga, SA
1986 Artist in residence, Rockhampton, QLD
1983 Artist in residence, Mount Gambier, SA
1982 Visual Arts Board Grant, Australia Council
1981 Artist in residence, Praxis, Perth
1979 Visual Arts Board Grant, Australia Council
1978 Lidums Art Gallery Prize for Students
Protégé Prize, Masters Choice, Adelaide Festival of Arts

COMMISSIONS
2005 14 Pieces, in collaboration with Angela Valamanesh, North Terrace, Adelaide
2004 Unveiled, Australian Phenomics Facility, Australian National University, Canberra
1999 An Gorta Mor, Memorial to the Great Irish Famine, Hyde Park Barracks, Sydney, in collaboration with Angela Valamanesh
1996 Fault Line, Riverside Quay, Southbank, Melbourne
1994 You just sit here..., Tachikawa Project, Tokyo, Japan
1992–93 Garden of Memories, in collaboration with Angela Valamanesh,
housing development, Pennington, South Australia
1991–93 Journey, sculptural environment, Rookwood Necropolis, Sydney
1990 Growing Up, sculptural commission, 81 Flinders Street, Adelaide
1989 Knocking from the Inside, sculptural environment, ASER Complex, Adelaide
1988 Sculptural environment, Festival Centre Plaza, Adelaide
Recent Arrival, lithograph, Bicentennial Folio, National Gallery of Australia, Canberra
1986 Target Practice, University of Adelaide
Lithograph, Adelaide City Council
1985–88 Magic Carpet, sculpture for atrium of Commonwealth Centre, Adelaide
1982–83 Water-lines, environmental sculpture, South Australian College of
Arts and Education, Adelaide
1980 Dwelling, Roundspace project, Adelaide Festival of Arts

COLLECTIONS
National Gallery of Australia, Canberra
Museum of Contemporary Art, Sydney
Art Gallery of New South Wales, Sydney
Art Gallery of South Australia, Adelaide
Art Gallery of Western Australia, Perth
National Gallery of Victoria, Melbourne
Queensland Art Gallery, Brisbane
National Gallery of New Zealand
Alice Springs Art Centre, NT
Artbank
Gryphon Gallery, The University of Melbourne, VIC
University of Queensland, Brisbane
University of South Australia, Adelaide
University of Western Australia, Perth
Wagga Wagga Regional Art Gallery, NSW
Western Australian Institute of Technology, Perth

BIBLIOGRAPHY
Geoffrey Gibbons, Australian, 19 July 1978
David Dolan, Advertiser, Adelaide, 5 March1980
David Dolan, Advertiser, Adelaide, 20 August 1980
Noel Sheridan, Sunday Mail, August 1980
Peter Ward, Australian, 17 July 1981
Tony Colangelo, Artlink, vol. 1, no. 4, October 1981
Peter White, Advertiser, Adelaide, 26 June 1982
Heather Ellyard, Artlink, vol. 3, no. 5, 1983
Peter Ward, Australian, 5 October 1983
Neville Weston, Advertiser, Adelaide, 5 October 1983
Jonathan Holmes, On Site, University of Tasmania, Hobart, 1984
Heather Ellyard, Australian Perspecta, Art Gallery of New South Wales, 1985
Peter Ward, Australian, 25 April 1985
Kerry Leves, Financial Review, 16 August 1985
Elwyn Lynn, Australian, 10–11 August 1985
Terence Maloon, Sydney Morning Herald, 3 August 1985
Gary Catalano, Age, Melbourne, 18 June, 1986
Graeme Sturgeon, Sculpture, Wollongong City Art Gallery, NSW, 1986
Susan Abasa, Painters and Sculptors, Queensland Art Gallery, Brisbane, 1987
Graeme Sturgeon, Contemporary Australian Art, exhibition catalogue, Museum of Modern Art, Saitama, Japan, 1987
John Neylon, Advertiser, Adelaide, 4 June 1987
Peter Mollenkof, Japan Times, 15 November 1987
Pam Zeplin, ‘Some provincial myths’, exhibition catalogue, Contemporary Art Centre of South Australia, Adelaide, 1987
Roger Butler, Prints by 25 Australian Artists, Australian National Gallery, Canberra, 1988
Nevill Drury, New Art Two, Craftsman House, Sydney, 1988
Desmond MacAulay, Spirit And Space, Commonwealth of Australia, Canberra, 1988
Margot Osborne, ‘A precarious balance’, Advertiser, Adelaide, 15 July 1989
Jacques Delaruelle, Sydney Review, April 1990
John McDonald, Hossein Valamanesh 1980–1990, Contemporary Art Centre of South Australia,
Adelaide, 1990
John McDonald, Sydney Morning Herald, 24 February 1990
Margot Osborne, ‘Lucid vision, spiritual intent, Advertiser, Adelaide, 11 July 1990
Timothy Morrell, Art Monthly, no. 34, September 1990
Jenny Zimmer, Sunday Herald, 26 August 1990
Mirza Quddus, ‘Migrant mythologies’, The News, International, Pakistan, 28 November1991
Angelika Stepken, ‘Earthly shadow’, Kunstlerhaus Bethanien, Berlin, 1991
Graeme Sturgeon, Contemporary Australian Sculpture, Craftsman House, Sydney, 1991
Christopher Allen, ‘Hossein Valamanesh’, Asian Art News, July – August 1992
Ken Bolton, ‘Sculpting a life of calm’, Advertiser, Adelaide, 7 May, 1992
Stephanie Radok, ‘Essentials’, Adelaide Review, June 1992
Bronwyn Watson, ‘Double tracking’, Sydney Morning Herald, 22 July 1992
Jacques Delaruelle, ‘Nature and image’, Sydney Review, August 1992
Adam Dutkiewicz, Advertiser, Adelaide, 3 March 1993
Jutta Federsen, Soft Sculpture and Beyond, Craftsman House/G & B Arts International, Sydney, 1993
Deborah Hart, Identities: Art From Australia, Taipei Fine Arts Museum, Taiwan, 1993
Lucienne Howard, Images of a First Language, exhibition catalogue, Prospect Gallery, Prospect, 1993
Catherine Osborne, ‘The public eye’, Asahi Evening News, 8 September 1994
Henry Scott Stokes, ‘Japan plunges into public art’, New York Times, 22 October 1994
Dana Friis-Hansen, ‘Locating the Australian Imagery’, Art AsiaPacific, vol. 1, no. 3, 1994
John Neylon, The Culture of Landscape Architecture, Edge Publishing, RMIT, Melbourne, 1994
Graeme Sullivan, Seeing Australia, Piper Press, Sydney, 1994
Adam Dutkiewicz, ‘Public and proud’, Advertiser, Adelaide, 4 November 1995
Carmel Dwyer, Sydney Morning Herald, 17 August 1995
Tim Lloyd, ‘Shadow in the land of the rising sun’, Advertiser, Adelaide, 8 February 1995
Adam Dutkiewicz, ‘Turning the page on Persian art’, Advertiser, Adelaide, 24 December 1996
Paul Carter, Hossein Valamanesh, Art & Australia Monograph, Craftsman House, Sydney, 1996
Joanna Mendelssohn, ‘Hossein Valamanesh’, Australian, 7 June 1996
Susan McCulloch, ‘Revival on the way’, Asian Art News, November–December 1996
Alison Carroll, Other Stories, 5 Australian Artists, exhibition catalogue, Asialink Centre, Melbourne, 1997
Paul Carter, Tracing the Shadow, Art Front Gallery, Tokyo, 1997
Monty Dipietro, ‘Iranian artist captures light in shadow’, Japan Times, 18 October 1997
Deborah Hart, Australian Perspecta 1997: Temple of Earth Memories, S.H. Ervin Gallery, Sydney, 1997
John McDonald, ‘Back to nature’, Sydney Morning Herald, 16 August 1997
Joyce Morgan, ‘Yen for the big league’, Sydney Morning Herald, 31 October 1997
Tony Stephens, ‘Honour for street kids who helped sculpt a nation’, Sydney Morning Herald, 14 January 1998
Maurice O’Riordan, ‘If the cap fits...’, Periphery, issue 35, winter, 1998
John Neylon, ‘Familiar chords’, Adelaide Review, September 1998
Louise Nunn, ‘Sculptured recognition’, Advertiser, Adelaide, 15 January, 1998
Ken Scarlett, ‘500 Sculptures in Melbourne’, Artlink, vol. 18, no. 2, 1998
Andrew Frost, ‘Australia’s 50 most collectable artists, Australian Art Collector,
January–March 1999
Tim Lloyd, ‘Honour, ire in top artists list’, Advertiser, Adelaide, 1 January1999
Stephanie Radok, ‘Fingers of memory’, catalogue essay, Sherman Galleries Goodhope, Sydney, 1999
Stephanie Radok, body, home, world, exhibition catalogue, Asialink Center, Pakistan, 1999
Chris Reid, ‘Hossein Valamanesh: Taking the intuitive path’, Artlink, vol. 19, no. 2, 1999
Wendy Walker, ‘Remarkable connection’, Advertiser, Adelaide, 16 September 2000
Deborah Hart, ‘Ways of remembering’, Art & Australia, vol. 38, no. 2, December 2000
Timothy Morrell, Art Monthly, no. 137, March 2000
Benjamin Genocchio, ‘Master of vulnerability’, Weekend Australian, 14–15 July 2001
Sarah Thomas, ‘Hossein Valamanesh: A material journey’, Art & Australia, vol. 38, no. 4, winter 2001, pp. 550–59
Mary Wynne, ‘Art with dignity’, Messenger, 11 July 2001
David O’Brien, ‘Hossein Valamanesh: A survey’, dB Magazine, 11– 24 July 2001
Sarah Thomas, Hossein Valamanesh: A survey, exhibition catalogue, Art Gallery of South Australia,
Adelaide, 2001
Wendy Walker, ‘Symbolic rituals’, Advertiser, Adelaide, 6 August 2001
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Victoria Hynes, ‘Earth and fire’, Metro, Sydney Morning Herald, 28 March – 4 April 2002
Rene Sutherland, ‘Artist communicating across cultural divisions’, Weekend Liberal, 27 April 2002
Rachel Kent, Tracing the Shadow, exhibition catalogue, Museum of Contemporary Art, Sydney, 2002
Lenny Ann Low, ‘Size does matter’, Sydney Morning Herald, 15–16 June 2002
Louise Nunn, ‘Blend of the best’, Advertiser, Adelaide, 21 October 2002
Wendy Walker, ‘Couple united in a shared vision’, Advertiser, Adelaide, 30 October 2002
Louise Nunn, ‘Artist floats an idea that’s inspired by the vineyards’, Advertiser, Adelaide,
2 November 2002
Laura Murray Cree, Awesome! Australian Art for Contemporary Kids, Craftsman House, Sydney, 2002
John Neylon, ‘Double act’, Adelaide Review, January 2003
Ruth Fazakerley, ‘Hossein Valamanesh’, Broadsheet, vol. 32, no. 1, March–May 2003
John Neylon, ‘Comfort in silences’, Australian Art Review, March –June 2003
Sonia Barron, ‘Objects evoke thoughts on life’, Canberra Times, 25 June 2003
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